• Classic artwork
• Empire of the Sun artwork

Film graphic

Often incorporating the same pastels and tropical motifs, 80s Deco was also a popular design trend, often consisting of bright neon colors, drop shadows, clean sans-serif fonts and pronounced angles and curves monicaruidresses.com/. And both of these trends are popping up left, right and centre in 2020.

Retro art doesn’t have to be completely accurate to the past. Often retro designs simply take a few elements from a certain timeframe and incorporate them into a modern environment. Nowadays, retro style is often used to describe new things that have the characteristics of the past. The word retro itself derives from Latin and means ‘past times’.

1. Booklet & Brochure Design Retro-styled booklets and brochures with vintage fonts and illustrations create a sense of authenticity, making them visually appealing and memorable. Elements like distressed textures, faded photographs, and art deco-inspired layouts give them a unique old-school touch. These designs not only capture attention but also enhance storytelling by evoking a past era.

An era that brought us hair metal, synth-pop, hip-hop beats, and lovelorn ballads, there’s no question that the 80s were an incredibly diverse time for music. Gracing us with the likes of The Cure, Whitney Houston, David Bowie, Michael Jackson, and ACDC, the 80s decade was a big turning point for the development of digital music.

If you think about it, vintage designs are everywhere. From fashion runways to movie posters, stylistic references to the ’50s and the ’70s are still incredibly relevant today. And who can really blame designers for this? Old-school designs are both fun and aesthetically pleasing, and it’s easy to find inspiration with such a huge library of references from the past.

Classic artwork

Over the years, art has been a key in almost every society and time frame. So, understanding art through the ages and some of the world’s most influential art is essential as life’s influence continues. Read on as we explore some of the world’s most influential art pieces.

This quintessential Madonna depicts Mary holding Christ flanked by diaphanous curtains pulled back by two cherubs gazing directly out at us. Divine transcendence mingles with mundane intimacy in the human tenderness between mother and child – Raphael’s grace amplifies emotional impact through idealized dignity and pyramidal poise. Initially, this Madonna iconography aimed to inspire religious devotion but over the ensuing centuries it far surpassed doctrine.

Over the years, art has been a key in almost every society and time frame. So, understanding art through the ages and some of the world’s most influential art is essential as life’s influence continues. Read on as we explore some of the world’s most influential art pieces.

This quintessential Madonna depicts Mary holding Christ flanked by diaphanous curtains pulled back by two cherubs gazing directly out at us. Divine transcendence mingles with mundane intimacy in the human tenderness between mother and child – Raphael’s grace amplifies emotional impact through idealized dignity and pyramidal poise. Initially, this Madonna iconography aimed to inspire religious devotion but over the ensuing centuries it far surpassed doctrine.

The painting features General Napoleon Bonaparte, who eventually became the emperor and the most powerful man in France. This is one of five in a series of oil paintings that depicts Napoleon crossing the alps. These paintings were all commissioned by the then king of Spain.

The worship of nature, or more precisely, the feeling of awe it inspired, was a signature of the Romantic style in art, and there is no better example on that score than this image of a hiker in the mountains, pausing on a rocky outcrop to take in his surroundings. His back is turned towards the viewer as if he were too enthralled with the landscape to turn around, but his pose offers a kind of over-the-shoulder view that draws us into vista as if we were seeing it through his eyes.

Empire of the Sun artwork

In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect…

Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.

Conflicts from around the world and across the modern era are depicted, revealing the impact of war days, weeks, months and years after the fact. The works are ordered according to how long after the event they were created: images taken weeks after the end of the American Civil War are hung alongside those taken weeks after the atomic bombs fell on Japan in 1945. Photographs from Nicaragua taken 25 years after the revolution are grouped with those taken in Vietnam 25 years after the fall of Saigon. The exhibition concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.

In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect…

Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.

Conflicts from around the world and across the modern era are depicted, revealing the impact of war days, weeks, months and years after the fact. The works are ordered according to how long after the event they were created: images taken weeks after the end of the American Civil War are hung alongside those taken weeks after the atomic bombs fell on Japan in 1945. Photographs from Nicaragua taken 25 years after the revolution are grouped with those taken in Vietnam 25 years after the fall of Saigon. The exhibition concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.